"Without the band I would be playing ELTON JOHN standards on a cruise ship." COLDPLAY's CHRIS MARTIN has no plans to quit the group.
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"Without the band I would be playing ELTON JOHN standards on a cruise ship." COLDPLAY's CHRIS MARTIN has no plans to quit the group.
A Glasgow art exhibition has displayed a range of pictures by Scottish artist Peter Howson, depicting troubled rocker Pete Doherty as dead.
The six pastels of The Babyshambles frontman slumped in various poses has created a stir, however, Howson defends his work saying he understands the controversial musician and his battle with drugs and alcohol.
"Pete Doherty is someone who has really interested me over the last few months," Howson explains. "His spiral downwards reminds me of what I went through myself and I can identify with the way he is acting. Me wanting to paint him dead was pointing the finger at him and saying 'You can influence a whole generation'. He could, if he wanted to, become the right kind of hero."
A spokesman for Doherty responded to the exhibition saying, "Peter Howson has never met Pete as far as I am aware, so I don't know where he's getting his inspiration from. We have not seen the drawings and I don't see how Peter knows that much about Pete's lifestyle."
Photo courtesy of Jasmine Worth.
Part house party, part gig, each Unlit event is hosted by anyone willing to open their home to strangers, and is free to anyone wishing to attend. Over the past 10 years, Unlit has developed from an underground movement to a viral internet phenomenon, the results all taking place in the comfort of your very own living room (or, more likely, someone else's).
At the centre of it all is Jont, a 34-year-old modern-day beatnik who spent his student days putting out an underground poetry journal called The Mad Cow, before deciding to launch his own club night. "I was bored with being a poet and preferred playing," he says. "It seemed like a natural evolution and I liked the idea of playing my songs to 20 or 30 people. That way it could have the most effect. It was a minimalist thing."
And so Unlit began, the early nights hosted at the 12 Bar in London's West End, with performances by the likes of Tom Baxter and the Duke Spirit (then known as Solomon), both now successful acts. Still keen to keep his own songwriting going, Jont moved to LA in 2003 when he found a new manager. He took Unlit with him, and there it developed into the distinctive gig/party format that is now so popular. "For the first time, I had my own flat," says Jont. "I thought, 'What would I like to do with this space?' The answer was to make it a venue once a week and make the most beautiful and magical night. It's all very personal. Unlit is very reflective of myself, as well as the person hosting it."
One musician who performed frequently at the LA Unlit nights was Sam Sparro, now riding high in the UK charts. "Back then, I didn't have much of an outlet for singing my songs," Sparro says. "It gave me the opportunity to get my stuff heard, and hear other people sing as well. I met some amazing people."
Back to my search. I finally find the address in south London. Jont is there, clutching his guitar, dressed in a blue trilby, open-necked shirt, colourful beads and velvet blazer adorned with flowers. News about the party broke online just four days before, but the address - a 17th-century former stables and printworks, lent for the evening by film director Richard de Aragues and his wife Caroline - is packed out.
Jont closes his set with a few tracks from his new album Supernatural, and then it is all wide smiles and excited chatter as the night slips into another long party. Also on the bill tonight is Emmanuel Jal, a former child soldier from Sudan, relating his experiences in quickfire rap, and singer Vanessa Brown. Around the house, strangers meet strangers, while friends who have not seen each other in months, even years, bump into each other and reflect on how even a city like London can be a small world. Others go up to Richard and Caroline with wine and chocolate, to thank them for hosting the night.
"It's amazing how people take this leap of faith and can be generous and respectful of each other," Jont says. "And it's taught me not to bother waiting around for things to happen to you. I've had so many deals and bands fall through. I know the best way to make things happen is to create them myself".
· For more Unlitdetails, see: jontnet.com
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JESSICA ALBA married CASH WARREN in a secret ceremony on Monday (19May08).
The 27-year-old actress's representative Brad Cafarelli has confirmed to People.com a wedding took place, but no other details are available as WENN goes to press.
Alba is currently eight months pregnant with her first child. Warren, 31, is the father.
The Fantastic Four actress recently said of her relationship with Warren, who she met on the set of the 2005 superhero movie, "It wasn't lust, or 'this is my soulmate'. It was, 'Oh, I'm going to know you for the rest of my life.' It was easy."
Though pretty much unknown in the UK, Brazilian singer and guitarist Leleo has been moving and shaking on Rio de Janeiro's music scene for around twenty years, initially with his group, Band Bel, and then in collaboration with the likes of Ivo Meirelles, Gilberto Gil, Milton Nascimento and
Marcello D2. This new project with local poet/lyricist Bernardo Vilhena is what he calls 'acid samba', as in a kind of hybrid of acid jazz and samba. Even so, though the record label might suggest otherwise, Leleo seems to be taking more of his musical cues from MPB (Música Popular Brasileira) heroes like Jorge Benjor, and also maybe something of the middle-of-the-road tendencies of Ceu Jorge.
On the rockier numbers like the opening Ela Briga Comigo, Leleo's voice has that slightly strained hoarseness that many Latin rock singers seem to adopt, and not everybody will warm to, but otherwise it's not especially distinctive. The vocal seems slightly tweaked by a vocoder on the smoother numbers like Ferias and certainly on Motoboy, a peppy pop song
about Brazilian bike messengers taking over London. Sounding tailor-made for any number of racy ad campaigns, programmer Lucas Marcier has definitely done some inventive messing with this.
Apart from the backing vocals, the odd cuica (friction drum) and some of the percussion, the samba flavour isn't particularly strong until about half-way through the disc when the coolly swinging Quem Me Salva E O Samba (Samba is My Saviour) and Sambanana appear, livening things up agreeably. But then there's the obligatory smoochy ballad in the penultimate track Santa, which glides by almost unnoticed.
At only 33 minutes, this is a pretty slim album in more ways than one, and with so many great records constantly coming out of Brazil, it's hard to see how this intermittently pleasant but fairly unexceptional one is going to stand out from the crowd.
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