Tuesday, 26 August 2008

Mp3 music: Strata






Strata
   

Artist: Strata: mp3 download


   Genre(s): 

Rock
Pop: Pop-Rock
Alternative

   







Strata's discography:


Presents The End Of The World
   

 Presents The End Of The World

   Year: 2007   

Tracks: 12
The Panic
   

 The Panic

   Year: 2004   

Tracks: 1
Strata
   

 Strata

   Year: 2004   

Tracks: 11






Strata got their originate in suburban San Jose about 2000. Then called Downside, the four -- vocaliser Eric Victorino, guitarist Ryan Hernandez, bassist Hrag Chanchanian, and drummer Adrian Robison -- started playing proscribed oftentimes, and by 2001 had self-released an LP. An Internet liberation followed. Tours with homeboys wish Alien Ant Farm and Dredg brocaded Strata's bloodline, and though legion labels showed interest in their post-grunge grooves (alike to types like Trapt or






Saturday, 16 August 2008

Download Yaz






Yaz
   

Artist: Yaz: mp3 download


   Genre(s): 

Other

   







Discography:


Upstairs at Eric's
   

 Upstairs at Eric's

   Year: 1987   

Tracks: 11






Yaz was a transitory just rather successful synth-dance couple from the early '80s. Comprised of synthesiser player Vince Clarke and isaac Bashevis Singer Alison Moyet, the mathematical radical (originally called Yazoo) formed in 1981, subsequently Clarke left hand Depeche Mode (Clarke had penned nigh all of Depeche Mode's debut album, Talk & Spell, including their early dancefloor run into "I Just Can't Get Enough"), and Moyet had of tardy exited an obscure R&B spread over band, the Screaming Abdabs. The fresh formed group scored a hit right off the bat with the single "Only You" b/w "Situation," which attain number two on the U.K. charts in April of 1982, and shortly thereafter, scored another heavy collide with with "Don't Go" (which would suit their best-known cart track stateside as its promo video enjoyed airtime on the new formed MTV). Yaz's commercial victorious streak continued with their debut full-length, Upstairs at Eric's, which pip issue devil on the U.K. album charts (in conclusion going atomic number 78 in England) and open the door to unnumbered other synth-dance bands that would shortly take after in Yaz's fire up. But disdain a hopeful career forwards of them, Yaz opted to call in it a day after one more full-length transcription, 1983's You and Me Both. Moyet would go on to launch a solo career immediately later Yaz's tear (marking a major hit with her solo debut, 1984's Alf, which topped the charts and spawned several pip singles), spell Clarke would go on to kind another synth-based kit, Erasure, with isaac Bashevis Singer Andy Bell. Although Yaz issued only a partner off of albums during a brief life history together, a 15-track "hits" solicitation was assembled in 1999, The Best of Yaz.





Amboy Dukes

Thursday, 7 August 2008

Hindus demand apology for Mike Myers flick

The Love Guru was a floating-point operation at the cinema, but�Mike Myers is in fifty-fifty more trouble for his goofy portrait of a comical phantasmal leader.



American Hindu leaders want Myers - the star of trey Austin Powers movies - to apologise for "lampooning Hinduism" in his late box situation failure.


In The Love Guru, Myers plays Guru Maurice Pitka, a mystic wHO helps a star ice hockey player apportion with emphasis caused by his wife.


The film likewise stars Jessica Alba and Justin Timberlake.


Hindu leader Rajan Zed, the president of the Universal Society of Hinduism, released a statement saying an apology from Myers would "heal the wounds more or less of a disturbed Hindu populace".


"Ksama, or forgiveness, is one of the principal virtues of Hindu moral philosophy. If Mike Myers offers a genuine public apology, Hindus would not only absolve him but mightiness also beg for his success in future movies."


Contact Music reported Zed launched a protest movement against the film before its release, spurring all religious groups to boycott the film.


He claims the failure of the film is largely down to his protest campaign.


In a inspection, the New York Times said the film was "antifunny".


"(It's)�an experience that makes you marvel if you will always laugh again."�


The film grossed just US$30 million at the�US and Canadian�box office. It cost US$62 million to work.






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